Writer/Director.
Louisa Connolly-Burnham is an award-winning director and screenwriter from Birmingham.
She founded the production company THIMBLE FILMS in 2019 and she is a member of the female filmmaking collective CINESISTERS.
Louisa recently wrapped principle photography on SISTER WIVES which she wrote, directed, produced and starred in alongside BAFTA-winner Mia McKenna-Bruce (How To Have Sex) and Michael Fox (Downton Abbey). Variety did a press release on the project which you can read here.
The script for SISTER WIVES won the highly-acclaimed First Flights Film Fund in association with Goldfinch and Kodak whose previous winner AN IRISH GOODBYE won an Academy Award in 2023 The script was also a semi-finalist at FLICKERS: Rhode Island International Film Festival and also won the Sunday Shorts Script Competition. SISTER WIVES recently begun its festival run starting at the Oscar-qualifying Deadcenter Film Festival in Oklahoma and the BIFA-qualifying Unrestricted View Film Festival in London where Louisa received a ‘Best Actress’ nomination.
Her directorial debut THE CALL CENTRE, which she also wrote, had a successful festival run, including the Oscar-qualifying Foyle Film Festival with a nomination for ‘Best International Film’, Aesthetica Film Festival, Underwire Film Festival with a "Best Producer" nomination, whilst also winning the audience awards at ÉCU Film Festival and Sunday Shorts Film Festival.
Louisa’s second film THE TRACK followed suit, with a successful run at the Oscar-qualifying Durban International Film Festival, BAFTA-qualifying festivals: British Urban Film Festival & Carmarthen Film Festival and a best director award at the 2022 World Indie Film Awards. It also screened at BIFA-qualifying Manchester Film Festival, London Independent Film Festival & Manchester/London Lift- Off Film Festival.
Her third short film THE CEILING, which discusses arousal non-concordance and consent, recently begun it’s festival run, starting at the BIFA-qualifying Exit 6 Film Festival. Her fourth short film FLEETING set in the Irish ‘Repeal The Eighth’ referendum in 2018 has just begun it’s festival run starting at the IFTA-qualifying Catalyst Film Festival.
Work.
THE CALL CENTRE (2020)
- Aesthetica Film Festival (BAFTA-qualifying)
- Underwire Film Festival (BAFTA-qualifying & best producer nomination)
- Foyle Film Festival (Oscar-qualifying & Best International Film Nomination)
- London Lift-Off Film Festival
- Sunday Shorts Film Festival (Best Film Award & Audience Award Winner )
- ÉCU The European Independent Film Festival (Audience Award Winner)
- Womxnchester International Film Festival (Best Film Nominee)
- Scene It Awards (Best Scene Award)
THE TRACK (2023)
- Carmarthen Bay Film Festival (BAFTA-qualifying)
- Manchester Film Festival (BIFA-qualifying)
- Durban International Film Festival (Oscar-qualifying)
- British Urban Film Festival (BAFTA-qualifying)
- London Independent Film Festival
- Manchester Lift-Off Film Festival
- London Lift-Off Film Festival
- World Indie Film Awards 2022 (Best Director & Best Actor)
Soon.
THE CEILING (2024)
- Exit Film Festival (BIFA-qualifying)
- Berlin Lift-Off Film Festival
- World Indie Awards (Best Acting Ensemble Award)
FLEETING (2024)
- Catalyst Film Festival (IFTA-qualifying)
- 15th Underground Cinema Awards (IFTA-qualifying)
- Fastnet Film Festival
- Achill Island Film Festival
SISTER WIVES (2024)
- First Flights x Goldfinch Film Fund (Winner)
- Deadcenter Film Festival (Oscar-qualifying)
- Unrestricted View (BIFA-qualifying, Best Actress + Costume nomination)
- FLICKERS: Rhode Island Script Competition (Semi-finalist)
- Sunday Shorts Script Competition (Winner)
- Cannes Film Awards (Finalist)
- Hollywood Shortsfest
- Achill Island Film Festival
- Fugitive Sister Festival Cannes (Award Winner)